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AMORY, SON OF BEATRICE
SPIRES AND GARGOYLES
THE EGOTIST CONSIDERS
NARCISSUS OFF DUTY
THE DEBUTANTE
EXPERIMENTS IN CONVALESCENCE
YOUNG IRONY
THE SUPERCILIOUS SACRIFICE
THE EGOTIST BECOMES A PERSONAGE

generation, shouting the old cries, learning the old creeds, through 

a revery of long days and nights; destined finally to go out into that 

dirty gray turmoil to follow love and pride; a new generation dedicated 

more than the last to the fear of poverty and the worship of success; 

grown up to find all Gods dead, all wars fought, all faiths in man 

shaken.... 

 

Amory, sorry for them, was still not sorry for himself--art, politics, 

religion, whatever his medium should be, he knew he was safe now, free 

from all hysteria--he could accept what was acceptable, roam, grow, 

rebel, sleep deep through many nights.... 

 

There was no God in his heart, he knew; his ideas were still in riot; 

there was ever the pain of memory; the regret for his lost youth--yet 

the waters of disillusion had left a deposit on his soul, responsibility 

and a love of life, the faint stirring of old ambitions and unrealized 

dreams. But--oh, Rosalind! Rosalind!... 

 

"It's all a poor substitute at best," he said sadly. 

 

And he could not tell why the struggle was worth while, why he had 

determined to use to the utmost himself and his heritage from the 

personalities he had passed.... 

 

He stretched out his arms to the crystalline, radiant sky. 

 

"I know myself," he cried, "but that is all." 

 

 

 

 

 

 

Appendix: Production notes for eBook edition 11 

 

The primary feature of edition 11 is restoration of em-dashes which 

are missing from edition 10. (My favorite instance is "I won't belong" 

rather than "I won't be--long".) 

 

Characters which are 8-bit in the printed text were misrepresented in 

edition 10. Edition 10 had some end-of-paragraph problems. A handful of 

other minor errors are corrected. 

 

Two volumes served as reference for edition 11: a 1960 reprint, and 

an undated reprint produced sometime after 1948. There are a number of 

differences between the volumes. Evidence suggests that the 1960 reprint 

has been somewhat "modernized", and that the undated reprint is a 

better match for the original 1920 printing. Therefore, when the volumes 


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